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| Name/Title | Artist | Production date | Medium | Accession number | ||
|---|---|---|---|---|---|---|
|
Kelly
|
Jacqui Stockdale
|
2015
|
Type C photographic print
|
2016.39
|
|
|
The love building
|
Joan Letcher
|
1988
|
collage on canvas
|
1988.30
|
|
|
Strange music
|
Deborah Paauwe
|
2002
|
Type C photograph
|
2002.145
|
|
|
The sunbather, Gold Coast Queensland
|
Jeff Carter
|
1965 {printed 2006}
|
silver gelatin photograph
|
2006.75
|
|
|
The next wave, Cronulla NSW
|
Jeff Carter
|
1960 {printed 2006}
|
silver gelatin photograph
|
2006.76
|
|
|
The card game, Manly NSW
|
Jeff Carter
|
1965 {printed 2006}
|
silver gelatin photograph
|
2006.74
|
|
|
Billabong
|
Elisabeth Cummings
|
1999
|
screenprint
|
2001.24
|
|
|
Arkaroola Morning
|
Elisabeth Cummings
|
2009
|
etching
|
2010.91
|
|
|
Termite Mounds
|
Elisabeth Cummings
|
2009
|
etching
|
2010.93
|
|
|
Leaving the pits
|
Joe Furlonger
|
1992
|
hard ground etching, drypoint
|
1993.16
|
|
|
Diaries 2013-2015
|
William Yang
|
2015
|
archival inkjet print
|
2015.17
|
|
|
The Exquisite Pirate (Oceania/Jenny Hannover)
|
Sally Smart
|
2008
|
synthetic polymer paint, ink, foil, and collage elements on canvas
|
2013.132
|
|
|
Rainforest, Springbrook 1
|
Fred Williams
|
1971
|
synthetic polymer paint and gouache on paper
|
1997.76
|
|
|
Gold Coast Highway # 1
|
Robyn Sweaney
|
2009
|
synthetic polymer paint on canvas
|
2010.08
|
|
|
Driver
|
Joe Furlonger
|
1992
|
hard-ground etching, drypoint
|
1993.09
|
|
|
Driver (Frontispiece: Indy Suite)
|
Joe Furlonger
|
1992
|
drypoint etching
|
1993.08
|
|
|
Refuelling
|
Joe Furlonger
|
1992
|
hard ground etching, drypoint
|
1993.20
|
|
|
Gold Coast Indy
|
Joe Furlonger
|
1992
|
hard-ground etching, drypoint
|
1993.12
|
|
|
Mechanics
|
Joe Furlonger
|
1992
|
hard-ground etching, drypoint
|
1993.13
|
|
|
Pits
|
Joe Furlonger
|
1992
|
hard-ground etching, drypoint
|
1993.10
|